Becoming Film Literate (e-book) by 
Video Shooter by
"Show me a world I haven't seen before!" These words from veteran cinematographer Barry Braverman will resonate as you read (and re-read) this revamped edition of Video Shooter. The third edition takes you beyond the technicalities of sensors, lenses, and tripods, to instill a practical and inspired appreciation for the craft of both the camera and the stories you choose to tell. Braverman draws from decades of personal experience on high-profile documentaries and feature films to explain the makings of a compelling visual storyteller. This is no ordinary dull-as-dishwater camera book! With wit and humor Video Shooter, Third Edition explores the discipline of the 2D and 3D imagemaker, from the need to maintain a clear point of view and eyeline, to the emotional impact of lens choice and color palette. You'll learn to avoid generic shots and angles, and apply the principle of exclusion to maintain rigorous control of the frame. You'll understand how close-ups can drive a story and how composition, selective focus, and simple lighting direct the viewer's eye inside the frame. Most of all you'll learn not to make it too easy -- by challenging your viewers, you'll elevate the value of your work and your reputation as a craftsman. Whether you shoot with a sophisticated 4K camcorder, large-sensor DSLR, or an iPhone, the lessons of Video Shooter, Third Edition will enhance your storytelling skills by helping you exploit a camera's capabilities to the maximum. New to Video Shooter, Third Edition: * 3D storytelling and techniques fundamentals of image capture and stereo production with an emphasis on simple integrated one-piece 3D camcorders * Video storytelling with DSLRs how to get the best look out of these large sensor cameras despite the compromises * Post-camera imaging, filtering, stabilizing * Outputting your show to the Web or DVD * Insights into the working life of a video shooter -- how to identify and land your ideal job, and work successfully with ego-crazed collaborators * End of chapter study guides with review questions for educators A companion website provides supplemental materials, including video tutorials based on the lessons in the book.
Cinematography: Theory and Practice by
There's more to being a DP than holding a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the book's focus on the body of knowledge they should share with their Director of Photography. Cinematographypresents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production. Recognizing that professionals know when to break the rules and when to abide by them, this book discusses many examples of fresh ideas and experiments in cinematography. Covering the most up-to-date information on the film/digital interface, new formats, the latest cranes and camera support and other equipment, it also illustrates the classic tried and true methods. New! A DVD and website features hours of video footage, offering key instruction in topics such as camera basics and essentials, lighting, shooting methods, and much more. Topics include: . Concepts of filmmaking . Language of the lens . Cinematic continuity . Lighting for film, digital, and HD . Exposure . HD cinematography and shooting . Shooting in HD . Image control and filters . Bleach bypass processes . Lighting as storytelling . Shooting special effects . Set procedures and other issues The DVD files are also available at http://www.taylorandfrancis.com/cw/brown-9780240812090/.
Shooting Movies Without Shooting Yourself in the Foot by
Shooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. The book approaches the subject of cinematography from a "hands-on, in the trenches” viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes.
Hollywood Lighting from the Silent Era to Film Noir by
Lighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force. Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men (1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.
For more works on cinematography, search OneSearch by the term "Cinematography."
Conversations with Cinematographers by
David A. Ellis has interviewed some of the most influential and highly regarded cameramen of the last half century and more, and he has assembled these exchanges in Conversations with Cinematographers. While their names may not be known by the general public, these men and their work have left indelible imprints on the silver screen. Among those interviewed are several award-winning artists: Douglas Slocombe (Kind Hearts and Coronets, Julia, Raiders of the Lost Ark) Oswald Morris (The Guns of Navarone, Fiddler on the Roof, Oliver ) Christopher Challis (A Shot in the Dark, Chitty Chitty Bang Bang, Top Secret ) Billy Williams (Women in Love, The Wind and the Lion, Gandhi) Freddie Francis (Sons and Lovers, The Elephant Man, Glory) Chris Menges (The Killing Fields, The Mission, The Reader) John De Borman (The Full Monty, Hamlet, An Education) Gilbert Taylor (Dr. Strangelove, A Hard Day's Night, Frenzy, Star Wars) Jack Cardiff (Black Narcissus, The Red Shoes, The African Queen) Nicolas Roeg (Fahrenheit 451, Far from the Madding Crowd, Petulia) Alex Thomson (Excalibur, Legend, Hamlet) Walter Lassally (Tom Jones, Zorba the Greek, Heat and Dust) Anthony Dod Mantle (Slumdog Millionaire, The Last King of Scotland, 127 Hours) Along with several camera operators who were also interviewed, these cinematographers recount their experiences on sets and reveal what it was like to work with some of the most acclaimed directors of all time, including Alfred Hitchcock, Fred Zinnemann, Carol Reed, John Huston, David Lynch, and Steven Spielberg. With valuable insight into the craft of moviemaking, this collection of interviews will appeal to film professors, scholars, and students, as well as anyone with an interest in the art of cinematography."
Making Pictures by
Five hundred movie stills and photographs highlight this comprehensive overview of European cinematographic art, which offers incisive analyses of one hundred seminal films---from Battleship Potemkin to The Elephant Man--along with a technical and creative history of the cameraperson's craft.
A Man with a Camera by 
The Light on Her Face by 
Masters of Light by
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film.
For more works on cinematographers, search OneSearch by the term "Cinematographers."
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